Year: 2011 Genre: Black Metal Label: None Tracks: 5 Length: 26 Minutes My Rating: 6/8
Tryblith is a black metal band from Dayton, Ohio. It was formed in 2009 originally as a solo project of Havik/Alex Jones (also drummer for the End of Time). The band has not yet released a full album but they have released a demo. The band now consists of Havik (drums), Helvete (guitar), Tzaboath (bass guitar), and Nihilus (vocals). According to founder and drummist Havik, the band is centered around the concepts of abstract subconscious philosophy, Shamanism, occultism, and anti-cosmic Luciferianism. The demo consists of five songs.
1. Adorning the Circle of Stones With Laurel and Flame Starts out with a soft, wispy sound/vibe flowing through yer eardrums... very tranquil, but it's hard to tell whether it's going to ascend or drop... you can hear what almost sounds like the wind blowing in the background... towards the end of the song you can hear other types of instruments, often abruptly cutting eachother off... it's a really beautiful sound.
2. A New Aeon of Desecration Real crunchy guitar riff and a very slow beat... the guitar sound is crunchy but it has a flow to it, like water or wind almost. Not potato chip crunchy. Like, maybe if there was an ocean or river of potato chips flying towards your head. Sometimes the guitar sounds like it's doing a somersault or something... those little parts where it stops momentarily and goes into a different riff. I say the word "riff" to much... there needs to be another word for chord-progressions... suddenly, you hear a monster-like growl and the song transitions to a thrash mode... very fast now. The vocals sound like a fucking beast... growled, bellowed noises... fucking rabid. I love vocals that sound like that. They echo too. Barely even sound human. No idea what the lyrics are about but I'll just take the song title's word(s) for it. A new aeon of desecration? OKAY. But desecration of WHAT? SO MANY MYSTERIES... OFFF RUUUAHAHHGHHHHHHHhjhhhhblonnkkjgguurrruuaaahhh. Yeah!!!
3. Convergence of Eternal Winter Really fuckin' fast! The vocals are more of a dark-sounding whisper here... more intelligible than the last song but I still don't know what the hell he's saying. The riff feels like mayhem... like a volcano's about to errupt and there's nothing you can do about it... because you are standing right on top of the piece of land where the volcano is about to erupt. 1/3 through the song, it fades into a cleaner-sounding section with a really beautiful guitar melody being played. However, it cuts back into a fast but not as fast as the first part. Different riff here. Eventually it returns to the original section of the song... and then there is another clean guitar-only part, but it's a different melody here. After that fades out, the song returns to a fast part with a guitar solo. Song fades out when it is over.
4. Visions of a Long Dead Past Begins with a really awesome guitar riff and an extremely fast beat... the chord progression changes and the beat slows down to half as fast... the vocals are screamed like a fucking demon. Or whatever sounds like what the singer of this song sounds like when singing this song. This one's packed with a lot of rage and aggression. It's like a freight train headed full speed ahead right for ya! Your best push in the opposite direction won't stop it from crushing you. Imagine if you played this music to people in the fucking 1950s... then suddenly there's a clean guitar-only part with the vocalist (not sure which one) saying some spoken lines while the guitar plays. The strum of the chord with the watery sound is a great touch. Things get real powered-up again for the ending part. The ending port. I'd say this is my favorite song on the demo.
5. The Light Fades Upon a Darkening Horizon Instrumental. Starts out with a clean guitar intro with ambient sound in the background... as the guitar playing continues, the ghostly noise surrounding it intensifies and almost seems to overpower the central section of this part of the song. It's like a jillion clouds slowly moving in until they fog up everything... cold. Or is it? Maybe they are warm clouds... for some reason I get visuals of the cold and cold things when listening to this album but maybe that's 'cuz it's raining out right now. Appropriate way to end the album seeing how it started off.
So that's the Tryblith demo. I forget if they said they were making an actual album anytime soon but here we have this, and plus, they are playing live so why not just go FUCKING SEE THEM LIVE OR SOME FUCKING SHIT BEFORE ALL OF THE MEMBERS DIE IN SOME FREAK ACCIDENT INVOLVING CLOUDS???!!!! I haven't listened to a ton of black metal to be honest so I don't know how this compares to other black metal bands, but I like what they do... the combining of fast thrash music, more mellow ambient sections, and unhuman vocals is something I really fucking like... kind of similar to what I wanna do musically but in a more "punk" way than this band. If you havun't check aut the band The End of Time, which contains two members of this band, I suggest you do, if you are a fan of hardcore punk rock. I just wish I knew the lyrics. So there's yer Tryblith... they write about the occult and weird subconscious events and shit like that. And they even sing about it, too! SOMETIMES, they even scream about it. 'Cuz THAT'S just the kinda people they are... this is like the kind of music you listen to when you're lost in the middle of the icedesert or something and you're starving to death. Or maybe the band has somethin' else in mind. I don't know. Go listen to this.
Year: 1989 Genre: Doom Metal/Hardcore Punk Label: Boner Records Tracks: 17 Length: 35 Minutes My Rating: 6/8
"Ozma" is the second full-length record from the Melvins... shortly after the release of their first album, the Melvins split with Matt Lukin and decided to move down south out of the redneck shithole known as Aberdeen, Washington to the more musically happening land of San Francisco, California! There they met a new bass guitarist named Lori Black who previously was in a thrash band called Clown Alley and also the daughter of the actress Shirley Temple! I believe Buzzo even was dating her for awhile but I'm not entirely sure if this iz a fact or not. At this time they also got signed to a new label called Boner Records which was apparently reliable enough to release 6 more albums for the band within the next several years... Boner Records is run by Tom Flynn, a member of Fang. He also played bass for the Melvins for a short while when Lorax was sick and Slammytown was in prison for you-know-what...
In a lot of ways Ozma is very musically similar to Gluey Porch Treatments, but there are subtle differences between the two... first off, the mix on this record feels a bit weaker... the drums are louder than the guitars... I usually look to the Melvins for heavy, powerful guitar riffs, but on this album the guitar feels a bit more muffled than it should. Nonetheless, it doesn't really ruin this album. Also, as weird as GPT was, this album is a bit more, well, weird in composition, and the songs are even more unpredictable... not as Black Sabbath-y and more Black Flag-y here. Probably the closest a Melvins record gets to sounding like a Black Flag record production wise... would remind me of "My War" if the drums weren't as trebly. It's still an fucking great record that would blow me away if it came out todday but I find it to be the weakest Melvins record of the pre-Atlantic period since it has a few too many so-so songs and the production have as much of an "oomph" to it. But I'm not here to Ozma-bash todday, I'm here to sing its praises to all the littel flowerchildrun of the WORLLLLDDDD...
1. Vile This song used to be called "Vile Vermillion Vacancy" back in the mid-'80s and this version of the song has, like the title, been shortened a bit. The song starts off with a weird humming noise speeding up, and then a deep, heavy guitar riff plays... now you fucking KNOW it's THE MELVINS, MANG!! YA KNOW IT... Buzz's voice has transformed from a youthful growl to a wail of mayhem starting with this album. The riff just chugs along... one chord is all it takes. All it takes in the verse section, as the drums climb up the Stairway to Heallven and the like. The original version of the song (V.V.V.) had a bunch of extra sections but that is absent here...
2. Oven This song's a little quicker... feels kinda like thrash metal. After the first part, the song changes into a section with only a drum beat and Buzz yelling more nonsense! Thun the loud guitar pummeling ambushes again.
3. At A Crawl The Melvins had written this song pretty early on, and it even appeared on their first E.P. and on an obscure K Records comp before that. This time it's gone total fucking heavy ground-shattering boulder mode, like a bull charging at .10 miles per hour but with all the same intensity n' density! "FUCK... I'M CRAWLIINNN''.... ON MAH BELLY CRAWLIN'.... SUCKIN' LIVINNNN'... DIVINE MESSSSS!!!!" -- the next-to-holy moans and shouts of agony from Buzzed Osborne, the afro-headed guitarist/vocalist/founder of the FUCKING MELVIN BAND, KIDZ! This song really does feel like yer crawlin', just gasping for water/air/whatever, just in pure torment, yer fucked up under the weight of all that doth oppress... there's backing vocals on this recording of the song which I think is a nice touch but I can't tell if it's Dale or Buzz himself doing them. This version doesn't have the long drawn-out ending part.
4. Let God Be Your Gardener An especially creepy cut... it starts off with a slow lead-driven intro with a spooky type of sound to it... it transitions into another part, and then abruptly into the main part of the song, which when it is done is totally unexpected yet it flows... really creepy feel to that. From then onwards is pretty hard-rocking, just a nice punk rawk riff and cool weird lyrics and singing...
5. Creepy Smell Starts off with a drum intro as Buzz whispers things off in the distance. Then the magick starts up and the song gets real fucking hot... love that guitar riff. It's really aggressive and powerful. Then there's a slow part towards the end with the unforgettable line: "CREEPY CROVER". HEY DALE... BUZZ THINKS YER CREEPY!!!!
6. Kool Legged This one is extremely slow... very similar to the types of songs the band would start cranking out in the early '90s but not quite the same thing since this song is less than three minutes long... I can't help but think he's talking about a vaggina when he sings "THE RIVER WHERE YOUR LEGS MEET"... what do you think? THERE'S A PICTURE OF JESUS AS AN INDIAN. Love that line. In the middle there's an odd part with Buzz moaning with weird jangly wiggly guitar noises. Love it!
7. Green Honey Starts out with a really cool drumbeat and then it gets to a more upbeat mode kinda like the beginning of "Oven". I think the lyrics are supposed to be about getting venereal disease or something. V.D. sucks.
8. Agonizer Starts with a cool drum intro like many songs here do. Unfortunately this song doesn't do a ton for me. It's just kinda there, and it's decent but nothing that unique about it. End of Side A.
9. Raise a Paw This one's pretty cool. It has a cool boingy guitar sound and a funky lil' bass line and a hard drivin' drum beat. PAW GRANT ME IT'S WISDOM! The "waste nothing ever you never" part at the end with the zig-zag guitar part just lingering at the end sounds awesome too.
10. Love Thing This is a cover of an instrumental by the band KISS. It's short but it's decent. The bass guitar reminds me of funk metal like the Red Hot Chili Peppers or Faith No More or something. It fades out...
11. Ever Since My Accident It's funny because the original version of this song was extremely fast and frantic... well, the franticness is still here but in a different form. I mean, it's practically a completely different song, but maybe I'm missing something here... it fades in like a large snake crawling in, ready to constrict its prey and consume. Slow. I STAND ALONE LIKE A TREE! ALONE I STAND! Nice scary guitar riff here.
12. Revulsion/We Reach Two songs in juan. The first song is "Revulsion". It's a pretty good song. Slow, heavy, weird intro, y'know the drill. Or do you? Halfway through, the song "We Reach" begins, which is even slower and cooler. The guitar riff sounds like a chisel ripping off chunks of wood from something very large and hard and made of wood (a penis, maybe?). I love slow music. This one is laden with ghostly humming of feedback and very somber-feeling... pretty bassy, also. Strong bass presence. Buzz roars at times... whispers so soft at others.
13. Dead Dressed This one kicks a lot of ass. Nice guitar riff and sweet singing and drumming. It's pretty close to bein' the full package.
14. Cranky Messiah I get the image of Jesus being really grumpy and hung over and whiny with this one.
15. Claude Twisty n' turning. Claude Monet, maybee??
16. My Small Percent Shows Most Shortest song on the album. It starts with a cool guitar melody, starts off sounding pretty normal and gets more weird and discordant from there onwards. Hell yeah!
17. Candy-O An actual pop song on this record! It's a cover of a song by the Cars. It's better than the original and it rocks hard and should get any party going, fuckers! The "CANDY-O... I NEED YOU SO" part kills! Makes me wanna eat M & M's at night on a full moon. Sadly this song is only available on the CD version.
So yeah, there's OZMA, baby!! It's a pretty sweet album... after this album the band changed things up and started making their music insanely slow and droney. If you like non-generic, aggressive music that's true to the punk attitude but can appreciate all that is good about heavy metal, then this record is for you. Do listen, it may change your life. THE MELVINS RULE, OK??!!
Top 3 Favorites: 1. At a Crawl 2. Creepy Smell 3. Candy-O
Year: 2011 Genre: Punk Rock/Psychedelic Rock Label: Gnar Tapes Tracks: 12 Length: 39 Minutes My Rating: 7/8
I first got into Grrrl Friend almost exactly a year and a half ago... I couldn't believe what I heard, it was a band that fucking had it, and they were new, and they were young, and talented! Later on in the next year, the formally released their first album (Isolation, Chronic Masturbation & Daydreams), but it just contained songs from the already-released E.P.'s that they had recorded in the last several years. Since the early days of Grrrl Friend, the band's lineup has changed almost completely after undergoing several changes in 2008 - 2010... the band has found a steady line-up of Duffy (of course), Lilian Void (bass guitarist), Tom Henkel (drums), and Sierra Stinson (other guitar). The band is now signed to Gnar Tapes, a record label that releases cassette tapes of rock bands in the Portland scene... however, this record can be heard and downloaded for as cheap as free on the Grrrl Friend web page. Anhueaise...
The album itself is quite different from the last one... style-wise this one's all over the place... there are many songs that flirt with the whole dream-pop sound that has become very popular in the hipster scene (or "garde-core", as Duffy prefers to call it)... there are some zanier, more no-wave type songs and even a few fast thrasher songs... the production is a bit less raw than the previous recordings... this album is laden with echoes and layering of tracks and guitars which muffle the other instruments in their presence. Most of the songs are pretty new, some of them never performed live before (?), but there are three re-recorded old Grrrl Friend tunes as well. Anyways, it's time to talke a listen, so why don't we, huh? HUH??!!
1. Happening Now It's not like any Grrrl Friend you've heard before... like a sunbeam through a window comes the buzzing guitar melody and the more blunted but strong rhythm guitar chunks wallowing about... the chorus is catchy and pleasant. Awesome lead guitar work! Duffy's voice is kinda obscured by the rest of the instruments and sounds more like a ghost faintly beckoning you from another world than a screamer... Lilian (the new obligatory co-vocalist) sings a few lines here. The heavy usage of melody culminates and it really gets good. Smoke weed.
2. How Allah Stole Christmas Not sure who's singing here... is it Duffy or Sierra? His voice sounds a bit different here if it's Duffy. It's pretty upbeat and noisy, with hard-edge steel-cold sounds bouncing and jagging around the echoey walls of the studio which said band had molested. Reminds me of the some of the songs off of "Confusion is Sex" by Sonic Youth. It's wild, it sounds like the band is using ray-guns as instruments! I imagine an inebriated ray-gun battle taking place in the middle of a laundromat being confused for the inside of a space ship.
3. doppelganger 12-Step Another pop song. It has loud punk guitars but a feel-good melody and guitar riff and it's a nice happy song and stuff. The section before the chorus is a bit angry-sounding but then things change again once the chorus happens... really enjoying the backing vox from Lilian! If not for the warm nature of the song this would easily sound like a huge barrage of skull-crushing noise. 2/3 through the song, Duffy says, "DO THE DOPPELGANGER 12-STEP"... the song speeds up and segues into a very fast part!
4. Dirtgasm This is actually a remake of one of the first songs the band ever wrote called "Come Clean", but it's been slightly changed. Duffy says that this version is the way that he intended it to sound like. More of a downer than the previous songs, though. The intro of the song, with the high-pitched hums of whateverthehellitis making the melody of the song, with the guitar riff playing... it's one of the most beautiful things I've heard in a song in awhile. Soon enough, the bass and drums join in and the first verse is sung. This version of the song has way more reverberation and feels more laid-back while the original recording of the song sounded more like a straight punk song. Kind of a droopy, collected but still somber song. There's more lead guitar trickery here, though... the song ends with a repeated bassline and the instruments slowly dropping out of the mix until the bass is all that's left and then it's over.
5. Black Jesus Christ This one reminds me of Flipper a little... Flipper if it had Gene Ween on vocals, that is! The drum beat is pretty sweet in the verse parts... the guitar work lays all to waste. By the way, I just jacked off a few minutes ago. Just thought I would share that. Okay. I like food. I'm eating this "Milano Melts" right now, and they're REALLY FUCKING DELICIOUS. You can always count on Pepperidge Farm, motherfuckers!
6. Hydroxyzine This one starts off sounding like a heavy metal number... however, that it is not. The wisping voices lead the way through this confused voyage into the chaos... not as chaotic as BJC or HASC (the songs Black Judas Chimney and How Alice Stucco ChaFUCKYOU), but still discordant none the less. It's also the longest song on the album, 'cuz it's near six minutes long. Side A ends after this song. Now time for Side B!
7. By a Thread Another re-recording of an early song. The original version was just acoustic guitars and singing, but this version is complete with a beat and all that jazz. The first version of the song sounded like they were singing it to you alone in a room but in this one it sounds like they're shouting it out into the mountains... causing an avalanche and killing some indigenous people... GOOD FUCKING GOING, GUYS! This one reminds me of "Kimberly" by Patti Smith a little... just a little bit, my brother. My SOUL BROTHA. LET'S GO HAVE A PICNIC NOW, IN A LITTLE MAZE WITH ALL OF THE CREEPY MONSTERS FROM KEN'S LABYRINTH... THAT GAME RULES.
8. Pet Frownz Ever had a PET than FROWNZ? It's not so good... it's usually the sign that they're about to go feral and rip off your face so your head looks like a giant wad of puss. The guitar is loud and fucked-sounding... Duffy's out there screamin' like a wild man, man... man. The chorus part is fast, which RULES. YAY FOR THIS MUSIC! In the chorus you can hear a sludgy guitar riff pulling the rest of the fucktardery about the MAGICAL ROLLERCOASTER OF SOUND. Most aggresive song of the record. Chuck enjoys thees.
9. Bestiality BBQ Another old song... the original version of this song can be heard on the band's first L.P. It has mutated from a hillbilly sounding song to a fast punker type worthy of a circle pit. In the middle there's a weird reverse-toilet-flushed sounding guitar solo. Drumming sounds nice here. The lyrics are a satire violent rednecks who use guns too much.
10. I Explode Another fast song. I don't know who's singing on this one, but the guitar riff is really good... I can't understand the lyrics well but I think it's supposed to be about a relationship or a breakup or something. This one reminds me a lot of the band Youth Brigade. One of the best of the album.
11. All White People Look The Same (To Me) An instrumental. Features a funky hard-rockin' little guitar melody that is sure to get people dancing... oh yeah, I forgot, dancing isn't "cool" anymore, so you have to get them pretty fucked up first before the real fun begins! What do they know about partying... or anything else?? But it's pretty good. Not the best, but good. The lead guitar can get pretty interesting in some parts.
12. Not Happening Now Okay, so like, it was happening NOW... and NOW it's NOT happening NOW now. But this one's kind of a distorted folk type song... at least in the beginning until the drums start up and make it seem more rock-ish. I like this one a lot... relaxing to listen to... even if you've got no one and you've got nothing (like DUFFY IN THIS SONG), you can still have nothing to say... about...
ummmm...
THIS:
But all puppets aside, this album seems to show the band in a more comfortable place than they were in their early years. And as cool as it is, I'm going to have to admit that I am really going to miss their early sound and their old dingy production values... "The Rag" (counting the unreleased songs) is still my favorite thing the band has ever done. However, when a band changes you can either stop listening or embrace the change, and I embrace the change on this part... cool to see a band grow and shit. They actually had one old song that reminds me of this album and that's "Candy Love & Pixie Dust", which is one of my favorite songs from the Rag. So hey, it's a diverse album that doesn't just stick with one style, Grrrl Friend play several different kinds of songs, so does that mean there's something for everybody here? NO! It just means there's something for about 3% of the population, and that's just being generous, because at least 50% of the planet has SHITE TASTE IN MUSIC, SO FUCK YOU. I do love Blatz, though, just though I'd say that, y'know...
Get high and listen to this album. Have sex and listen to this album. Grrrl Friend are the new harbingers of the PEACE LOVE AND SODOMY GENERATION, AND THEY WANT YOU TO DO ALL OF THOSE THINGS. DON'T EVEN HAVE MONEY. JUST LOOT STORES AND WHEN YOU GET BUTTRAPED IN PRISON LEARN TO LIKE IT! 'CUZ IT'S THE RIGHT THING TO DO, YOU FUCKING ANAL-BANANA!!!!!
(the tape comes out in July.)
Top 3 Favorites: 1. I Explode 2. Dirtgasm 3. Not Happening Now
Year: 2011 Genre: Hardcore Punk Label: None Tracks: 2 Length: 5 Minutes My Rating: 6/8
Okay, okay. So this is my first review I think I have done in about two months... school, and then eventually sheer laziness/apathy led me to slack off for awhile. BUT I NEEDED A BREAK, OKAY?? People (in other words, Facundo) started asking why I wasn't doing reviews anymore. No, I didn't quit. I was just taking a break. I'm writing right now, isn't that a step in the right direction? OKAY. OKAY.
Anyways, I saw my first punk show ever last Friday (the one before the most recent Friday) and I got to see Secondhand Destruction, Mr. Clit & the Pink Cigarettes, the End of Time, and the Defendants all in one night at the Brewery in Troy. I got to meet Mike from the Defendants and the other members of the Defendants and I also got to hang out with the members of the End of Time for awhile. They gave me a copy of their 2-song demo CD for free and practiced for awhile in the back room behind the stage. Later that night, the End of Time played (third band of the night) and they played harder and wilder than anyone else! Some of their songs were really fast... the band's singer, Xerxes, started slicing his forehead open until he was bleeding, and he sang by screaming and growling really fucking loud into the microphone. Sometimes he would jump off the stage and try to hit people! It was really fucking awesome to see. I got to sing one of the band's songs on-stage also but I didn't know the words so I just yelled a bunch of gibberish. Towards the end, the band played a GG Allin cover... I forget exactly which song it was, but it was about molesting children or something. L;SDALKSGD/sasfdsfd anyways, it was a really great show and definitely one of the more interesting bands to play that night.
So, this is the End of Time's first (?) demo, I think. The band is from Dayton, Ohio and they formed in 2009. The current members of the band are Angelo Viera (guitar), Josh Coffman (bass), and Alex Jones (drums). Xerxes is not singing for the band anymore currently, so according to the band, the remaining members will fill in his place. Anyways, uh, it's a demo, and it has two songs on it. So let's hear THIS FUCKING MASTERPIECE NOW, SHALL WE???!!!!!!! SHALL WE????????!!!!!!!!!!!
(yeah.)
1. Baconator Uhh, so this song's about bacon... not, it's about a baconATOR. Maybe "bacon" is supposed to be a euphemism for the police or something. I don't know, I can't understand the lyrics. Alex sings on this one. It's a real fast song with a razorblade-cutting guitar riff and sometimes the drums are off-time but it's okay 'cuz it captures the aggression of this one! Really like the urgency in Alex's singing on this juan.
2. Blows and Hoes This one's slower. But the guitar riffs are great here and they sound really awesome with the hard-assed distortion used however the fuck they recorded this. Xerxes sings here... his screams are as corrosive as shit here... not that SHIT is corrosive, IT'S A FIGURE OF SPEECH, YOU MOTHER FUCKER!!!! (which is also a figure of speech, so let's not get stuck in a fucking vicious cycle here... GODDAMN IT!!!! Wait a second... GODDAM-- it's done.) The chorus riff is the best... Xerxes sounds like he's going to kill you or something... Alex is providing the backing chorus vox here. This song used to be an instrumental called "Exaggeration". Some parts of it are pretty fast, and other parts are slow.
So yeah, you get two songs and both of them are good, SO WHAT THE FUCK ARE YOU TALKING ABOUT, MAN???? WHAT AM I TALKING ABOUT??? I'M TALKING ABOUT THIS CD I JUST REVIEWED... IS THAT OKAY??!!!
...the answer is no. But who cares? Hopefully the End of Time will create more awesome music and they are playing their next show on June 11th at the Brewery... so go see them if you like the music. Their songs can be found here:
http://www.reverbnation.com/#!/theendoftimedayton
So there, there's my review for the day. BYE BYE, KIDS!!!! BYE!!! BYE!!!! BYE!!!!! BYE... bye... bye-- wait, where are you going? COME BACK! :'(
[ The End of Time live photos from 5/20/11 (the day they released this demo) ]
Year: 1982 Genre: Hardcore Punk Label: None Tracks: 11 Length: 9 Minutes My Rating: 6/8
DEEEEEEEEEEEEEP WOOUUUUUNNNNNNDDDD...!!!!!!!
Deep Wound was a hardcore band from Boston that existed from 1982 to '84... aside from being made up of two future members of Dinosaur Jr., the band was along with Siege, practically the fastest punk band ever at the time. The songs are short, usually ultra-fast, Charlie Nakijama sings fast, and J Mascis drums like a MOTHERFUCKER... all that and they were only in high school when the band was around... just like Siege. Deep Wound came first, though. Anyways, "American Style" is a the band's 1982 demo tape, which was later on released as a 7" vinyl bootleg. A few of the songs on it later appeared on the band's E.P. from 1983.
1. Pressures Really fast, great guitar riffs! It's about being driven to confusion by pressures and social anxiety in life. Awesome!!
2. Training Ground This one's a little slower. More Ramones-like. The vocals are really screechy due to the production.
3. Deep Wound It's like the THEME SONG (not a cover of Clown Alley, by the way), DUDE!!!! Really fast. This song later appeared on "Deep Wound". At the end there's a scream.
4. You're False Charlie's vocals sound awesome on this one. Crazy drumming, great guitar riffs, neato song, FUCK-HEADS.
5. Your Head is In Your Crotch I like this one a lot. The song is ultra-fucking-fast. Charlie sings ultra fast, and then there's that thumping, pounding YOURHEADISCROTCH chorus. Really awexxome song. I the verse is super awesome too. End of Side A.
6. Sister Once again, it's the ultra-fastblast attack!! It's about a guy's (or girl's) sister who goes off to parties and fucks a ton of older guys and gets all the attention... I'LL SHOVE IT THROUGH HER FACE ! Later appeared on the 7" EP.
7. Patriots Nice riff. Charlie sings really fast, the drums are fast, it's another really fast good song. FUCK YEAH & YAEY FOR DEEP WOUND!!
8. Never Let You In Great chorus riff. The chord progressions here remind me of early '80s Suicidal Tendencies... but twice as fast.
9. Adults This song makes fun of all of the "adults" in society who readily jump into the preconceived social roles they're "supposed" to fit into... if you're a girl you're supposed to marry a guy and be a homemaker and rely on a guy for everything and if you're a guy you're supposed to go to work every day and pay for everything... y'know, wear the same clothes and always cut your hair and suck your boss's cock and work in a boring job so you can have enough money to live in a nice house but still not enough to make your boring job not the main aspect of your life. Super angry and fast!!
10. Don't Need Another one that's also on the '83 EP. DON'T NEED... he says that a lot.
11. Video Prick The longest and fastest Deep Wound song... there's a solo at the beginning... the lead guitar bits are amazing, the verse riff rocks hard, and it's about a creepy child molester. This one's also on the E.P. that came out after this. I HATE YOU SO MUCH... definitely an awesome song.
The sound quality varies from song to song... I suspect that these were taken from various sessions... actually, the songs on here that later got on the studio E.P. pretty much sound the same except for not being mixed as crisply. I'm not sure exactly which mix sounds better... the fuzzy, blurry feel works for this type of music in my opinion... ultrafast music really doesn't sound good with high production values. Take note of that, you current-day grindcore bands! Anyways, yeah, Deep Wound was awesome and this record is another testament to that. YAEY FOR PUNK ROCK, KIDDIEZ. Man, I felt real depressed for the last week and now I feel better again. I wonder if it's Deep Wound's fault that I feel better or not. WHO CARES? Yep, that's my review today. Seeya tomorrow or whenever I write my next juan.
Top 3 Favorites: 1. Your Head is in Your Crotch 2. Video Prick 3. Never Let You In
Year: 2010 Genre: Doom Metal Label: Rise Above Records Tracks: 8 Length: 59 Minutes My Rating: 7/8
Electric Wizard is a doom metal band that formed in 1993 (yay). They are also often referred to as a "stoner metal" group, which is funny 'cuz I thought almost every genre of music except for straight-edge hardcore punk could be made for/by stoners. Anyways, these guys are pretty slow and heavy in the vein of (guess what)BlackSabbath (B.S.) and their sound is pretty warm and bassy. Great stuff. They sing about Satan and smoking weed... this is the band's seventh album, and it has a bunch of pictures of naked chicks and satanic rituals on it and stuff... like, on the CD there's a chick's crotch with a skull over it. Maybe she killed the skull with some V.D. she had hidden in her crotch for self-defense. WOWOWOWOW
Anyways, this is the first Electric Wizard album I've ever bought/listened to extensively, so I don't know a huge whopping backstory on the band. They're electric (funeral), they're (the) wizard...s. THIS IS A REVIEW OF (like witches at) "BLACK MASSES" -- HOLYFUCKIN'SHIT, THIS BAND REALLY LIKES BLACK SABBATH, YOU FUCKING DUMB[LACK M]ASSES, ARE YOU OUT OF YOUR FUCKING MINDS? DID SOMEONE TAKE A RABBIT'S EYES, REAL BEAUTY IS DENIED!!!
SACRIFICED! SACRIFICED! SACRIFICED; YOUR SOUL'S SACRIFICED!
SPIKY HAIR MAKES RABBITS CRY ONE DAY TOO I HOPE YOU DIE!!!
SACRIFICED! SACRIFICED! SACRIFICED; YOUR SOUL IS SACRIFICED!!!
Well gee wilikerz, it's a good thing I ain't got no spiky hair right now. But the bottom (y'know, that kinda sexy part of the body) line (not a dot) is that (this:) we're going to FUCKING REVIEW THIS ALBUM GODDAMMIT... YOU HEARD ME!!! YA HEAR ME???
IT'S FUCKING REVIEW!!!!!!!!!!!
YOU'RE ALL GONNA BE DEAD -- BY THE END OF THIS REVIEW!!!! AAAGAGGGHHHHHHH!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
...okay?
1. Black Mass This song rocks! It's got such an awesome, thick guitar riff... kinda slow, but apparently this song is "fast" by E.W. standards. The opening vocal melody combined with the guitar riff sounds so awesome... this song is about a black mass... like a satanic ritual or some shit like that. Really heavy guitar riff, I like it... not just one, but TWO guitar solos in the song... the second one is better. Amazing song. It's like the new fucking Black Sabbath. Amazing heavy riffs, just perfect for getting loaded to and partying down in just the most awesome type of way, 'cuz this song has a wondrous feel to it!
2. Venus in Furs This is not a cover of the Velvet Underground song. The song starts out with a screaming type of noise. The guitar riff is real deep and great-sounding. The beat rules. Awesome guitar-playing. What a great song to go after the first song, mang. Even though this isn't a cover of an old song with the same name, the theme is similar -- sadomasochism and being tortured sexually by a beautiful woman wearing leather boots. The lyrics are awesome. After the second verse, there's a guitar solo. I really like the mid-section of the song after that, it's my favorite part. The lead guitar melody of that part goes perfectly with the riff. The vocals sound so wispy and almost surreal. Kind of fading and echoing in out of nowhere. It's like being stuck in a room with beautiful sound zorping and bouncing all around the walls and taking quite awhile to die down. Like fire that burns but doesn't hurt. I am the ZODIAC. End of Side A.
3. The Nightchild This one's a little slower than the two songs before it. The riff is more menacing and rugged. The chorus part sounds so great... the riff is still menacing but a little ascending, and the vocals sound tortured yet powerful at the same time, damn it!! The bass riff sounds awesome in this part of the song. Meanwhile, the verse riff burns and then zig-zags for a few chords... you just can't help but sing along that second time you hear the chorus, man... you can hear some atmospherics and lead guitar in the background... all totally muffled by the crushing assault of the bassy rhythm guitar. And bassy bass guitar. The lyrics are about a creepy bloodsucking evil zombie! His number is 1-800-666-6969, so if you want him (her?) to babysit your little ones, that's how to get ahold of... it. The guitar solo rocks... reminds me of a full moon being out in the middle of the night... like, a moon made of CHEESE or something legit like that. I need to start saying "legit" all the time again... that'd be pretty legit n' stuff. HAY HAY... HAY HAY HAY HAY...
4. Patterns of Evil Starts off with a slow, strummed chord... the drumming hisses and boils... sounds like lava bubbling up from an underground volcanic cavern filled with monsters... the chorus is pretty awesome... nice riff combined with the vocals. The guitar sounds so heavy and full, I love it! There's a guitar solo after the first chorus. After the second chorus, there's a mid-section with a different riff. Man, that drum sound is real nice... later there's another weird psychedelic-sounding solo with weird sounds... I coulda sworn I heard the singer say "Vietnam"... was he off fightin' back in 'nam or something? MY GOD, WAS HE??? WAS HE???!!!!! AAAUUUGHHH. I think the singer's a good singer. JUN JUN JUN JUN STRUM STRUN STRUMN??? UGHhr. End of Side B.
5. Satyr IX Longest song on the album, being ten minutes long (two seconds short of that, actually). This song is really slow and there's a weird whizzing/chirping noize going on in the background... y'know that, man? Like, we're off drinking beer on our front porch right now as I'm reviewing this and throwing the empty cans at cars driving along the road becuz it's fun and it's just SOOOOOOOO nice aut right now... not really. I do think I'm slowly losing my mind, though. Isn't that TOTALLY FUCKING LAME??? Hee heeh heh. Not digging the riff a ton so far... it's alright but doesn't excite me as much as the first four songs do. After two minutes and twenty seconds, the singer finally opens his gigantic mouth (te-he) and he sings... actually, the vocal melody goes together about as well as it can with the humming, voiping, wong-ing(?) guitar riff. I swear they released a jillion crickets into the studio when they were recording this song... or they turned on a sprinkler inside of the studio or something. That would be hilarious. After this part of the song, there's a pretty cool lead-guitar solo played. I like it. It gets pretty noisy and fucked-up, y'know? The insides of my fingernails smell like Cheetos. I haven't even eaten Cheetos in a long-assed time 'cause I'm lactose intolerant. Pretty funny, eh? Weird guitar solos come and go... weird sound effects come and go... this is a long song, man... the music being played eventually fades out for some weird, trippy sound effects.
6. Turn Off Your Mind I'm hungry. Hang on a second... alrighty, problem solved. Look, we're listening to a song, mm'kay? And it's like, this song has a cool guitar riff and a cool beat and the singer pretty much sounds like he's singing backwards... IS HE? Not in the chorus, evidently. Pretty awesome song. I like it... the weird psychedelic sound effects are just the icing on the cake, my sol brotha. Suddenly the music stops and all of these weird samples start echoing everywhere and I don't even know what they're saying... it's like being in an echoey space filled with a bunch of black-and-white paper cut-outs tellin' me what to do... then the song resumes after some moments of this and there's a faint but fiery lil' guitar solo and more weird sounds. I could see the Butthole Surfers doing a real awesome cover of this... it has a similar feel as "Sweat Loaf" by them.
7. Scorpio Curse Slow. Good guitar riff. I like the chorus part. The bass riff in the chorus rules!!! Cool solo... this song feels a bit more upbeat than the other songs. YAEY FOR THAT. Seriously, the riffs on this one rule... it's OUTTA THIS WORLLLD, MY BROTHA!!!!!!!!!!! Sweet-ass bubbling lead guitar towards the end of the SONG. THE SONG, DAMN IT. AAAHHHHHH!!!!!!!!!!!!!!!
8. Crypt of Drugula IT'S DRUGULA... THE VAMPIRE WHO SUCKS THE HEROIN-INFUSED BLOOD OUT OF JUNKIES' VEINS... SCARYYY AND SPOOOKY, UOOOOGUUUGUUGUUUOOOUUUGHHHHHHAAA BOOGER. "Booger", heh hehhheehehehe. A lot of electrifying and "creepy" sound effects, thumping bass pedal, and the sounds of thunder. The song sounds much like this... an ominous bass riff, slow bass drums, and a harsh array of freakish noises. The whole song pretty much sounds like this for almost nine minutes... it's like being stuck in a creepy crypt during a thunderstorm and being unsure that you'll ever escape... alive... EEEHAHAHAHAHAHAHA!!!! At the last minute, the song erupts into a thirty-second hardcore punk oi anthem... not really. But one creepy touch they put on the end of the song is that the album ends with the sounds of a beating heart... and then, my friend, you die... AND THEN, MY FRIEND, YOU DIE!!!!! YOU DIE!!!! YOU DIE YOU DIE!!!!! UUWAKAKAKAKAKAAAA!!!!
For a new album that I was able to buy in-store at FYE, this is quite a great little record... the riffs are great, the production is great, the band is great, it's a shame I didn't know about these guys sooner. The current line-up of the band (which recorded this album) is: Jus Oborn (vocals, guitar), Liz Buckingham (guitar), Tas Danazoglou (bass guitar), and Shaun Rutter (drums). Anyways, this album is really good, for the most part all of the songs are great and rely heavily on atmospherics as well as melody... it's slow, ultra-heavy metal with a psychedelic flavor. Anyways, this is a really good listen. That's what I have to say for today's issue of LEGIT MUSIC REVIEWS. I thought this was a legit album. This review took me almost a week to write. Because I had to catch up with school n' stuff. Bye bye.
Top 3 Favorites: 1. Black Mass 2. Venus in Furs 3. Scorpio Curse
Year: 1980 Genre: Punk Rock Label: Subterranean Records Tracks: 2 Length: 6 Minutes My Rating: 6/8
Flipper formed in the late '70s and were one of the weirdest, punk-est bands in the hardcore scene! This was before the Butthole Surfers, before Sonic Youth, before Die Kreuzen, before the Melvins, before all those fuckers, this was FLIPPER, A BAND NAMED AFTER A FUCKING FISH. While Black Flag and Minor Threat were at their peak and playing fast and tight became the popular thing to do, Flipper played slow, sloppy, and noisy. This was the first Flipper record ever, and already they've quite set into their sound. Imagine the Sex Pistols on LSD. That's Flipper for ya. Flipper sang about all kinds of things... this record has two songs on it, and a picture of a baby on the cover. Flipper was all about dead fish. Today there was a huge storm and there were a bunch of inch-thick balls of hail blasting down on the earth's surface if you live in Ohio. They weren't that hard but they fell that way! Anyways, time to talk about Flipper some more.
1. Love Canal I'm assuming a love canal is a pussy. I mean, like, it's a canal, and you can "love" it if you know what I'm sayin'... or you can actually love it. It's a pretty nice-looking little thingamajig that 50% of the world's population is equipped with. This song is slow, trudgey, mudgey, depressing, and it's about dying and all that other wonderful stuff. The music DOESN'T sound perfect musically, which is FUCKING AWESOME. The guitar riff sounds like a massive rock & roll dragon writhing through the arms of a merciless guitar player, breathing fire and ANNIHILATING, 'CUZ I'M ANNIHILATION MAN AND IT'S ANNIHILATION HOUR OF ANNIHILATION TIME 'CUZ IT'S MY WAR AND YER ONE OF THEM AND I'M AN NIHILIST TOO. Cool weird effects on Brucey Loosey's voice! Isn't that awesome. For the most part, the bass n' drums (not to be confused with drum n' bass) are the most stable part of the song. The guitar is insane and the vocals are just mad!
2. Ha Ha Ha Isn't life a blast... it's just like living in the past... we go downtown to do our shopping... and we live in suburbia... from the very beginning this song rules. It's one of the most well-known Flipper 'tunes... the bass riff is classic, the drum beat sounds awesome, the guitar riff is whacked-out, and I guarantee that you'll have these song lyrics memorized FOREVER... this song basically pokes fun at the suburban middle-class average lifestyle, going "ha ha ha" at its predictability, sterility, and occasionally ridiculousness. Tehehe. I'm still one of those fuckheads. HA HA HA HA HO HO HO HO EH HE HE HE HE HE AH HAHAHAHAHAHA... after that part of the song, Bruce laughs "hahahahaha", and it keeps on repeating and getting even faster. Then it's the end of the song. How's it feel to be laughed at by FLIPPER, KIDZ?
Well, that's the end of Flipper. This record, I mean. Flipper's still around and they released some new albums two years ago, but in my opinion '80s Flipper is the best. They throw punches in all the right god damn places... too punk for your average uptight dumbasses and too punk for your average uptight dumbass "punks"... they'll know punk when they hear Flipper, or anything remotely similar to Flipper. Flipper were drunk, drugged-up, knew when to laugh at themselves, and it costed the lives of a few of them. I don't really know where I'm going with this. Enough with my bullshit. Listen to these songs if you haven't already.
Year: 2011 Genre: Punk Rock/Folk Rock Label: Unknown Tracks: 8 Length: 32 Minutes My Rating: 7/8
DAMN, I was pissed-off, earlier today... ever have that feeling that all your friends are just a bunch of fucking fakers and that they secretly have no care or respect for you and that they couldn't give a rat's ass about you? Well, that's how I feel... but I don't feel as bad right now. But I'm really sick of people ignoring me all the time, I do not like it.
Anyways, this is Diehatzu Hijets's first full album, with eight songs on it. It will be officially released at the end of this month on March 30, but you can listen to the songs on the Diehatzu Hijets BandCamp website. There will be an album release show on March 30...
This album was recorded by Layne L'Heureux (vocals/guitar) only, and it was recorded throughout 2010... the production is a lot more polished than the first E.P., and the songs are getting less simplistic. Most of the songs on here are really good, and at the end there are two songs that are just acoustic guitar and singing. It even has a kool cover-art, isn't that JUST GREAT??? Anyways, I feel really shitty today, but I'm still going to make an effort to write my review of this...
1. Where You At? "Where you at?"... that's a question that gets frequently un-answered BECAUSE PEOPLE ARE FUCKING DOUCHEBAGS THAT NEVER ANSWER YOUR FUCKING PHONE CALLS!! Ahem. The song starts off soft and mellow (Mello-Yello) and then explodes into a louder song with an electrifying lead guitar solo and a droopy guitar sound and a drum beat and all of that stuff. The guitar has a really warm sound in the chorus. There's actually two guitars. There's lead guitar going on over the rhythm guitar. After the loud parts, there's a slower, psychedelic-type of part, and then the song returns to soft-acoustic mode with some cool sound effects. I like how there's two guitars still. Well-crafted song... just as much a soundscape as a song. Pretty long song.
2. Falling Apart This one starts off really folk-sounding... like, the way the guitar melodies sound... quickly, a buzzing hot electric guitar riff ignites over the other sounds. The chorus is pretty catchy. Or at least good. The song is really nice. There's a lot of cool parts to this song, like the acoustic guitar sound. Pretty awesome n' stuff.
3. Find Me This one's more fast and upbeat. The riff is pretty good. More acoustic/electric guitar combos... I like that. PSYCHOMINDBABBLE. YAEY FOR THAT. The part at the very end is awesome... I like the one stroke of an acoustic guitar chord at the very end.
4. Bro Starts out with a watery-sounding guitar melody... Layne sings, "BE MY BRO 'TILL TIME GROWS OLD"... having friends is nice when they aren't douchebags who betray you and lie to you. In the chorus, the guitar sound gets real grungy and fuzzed-out. Then after that, there's a guitar solo... the part after that sounds really euphoric and awesome... a fuzzy yet wet (whether or not this is comparable to a vagina is debatable) guitar sound, and it sounds really great. I like this song a lot! But don't actually kill your mom... killin' yer mom's bad, mm'kay? The softer guitar in the background is awesome. I love this song.
5. Fizz Out People are huge douchebags. They act like your friends and act like they want to be your friends and then when you try to get together with them or even talk to them they just ignore you because they're all a bunch of lying self-serving fakers who can get away with it because they surround themselves with equally assholish people they've known since the age of five. Oh, you wanted to know what I thought of this song? I like the opening part... it's kind of slow and laid back. "MY BRAIN BEGAN TO OOOOOZE...." OOOOOOZEEEE.... OOOOOZEEEE... THEN IT FIZZED RIGHT OUT... it's really emotional and beautiful. I like the solo that starts around a minute and a half in the song. Really great. The lyrics are amazing... the "IF YOU'RE WAITING ON FIRE" part is the best... the guitar melody and harmonies and everything are fucking AMAZING. I love this song and band... you can start to hear a bunch of buzzing furious lead guitar fade in from the very background... the vocals are great. This song sounds amazing.
6. Cut Yourself Free This song is great from the very start. The guitar melody at the beginning is beautiful. In the chorus, there's the lyrics "WHERE DOES IT BLEED?" accompanied by really loud noisy instrumentation divided by a quiet two-note interlude before repeating several times... the next part kind of ascends and stuff. Two-note bass ascension? I dunno. It gets louder and noisier as it goes on. Amazing lead guitar stuff going on in the background. After this is an amazing lead guitar solo... I love it. This is the last "band" song of the album... now for two acoustic songs.
7. Stay Just Mister L'Heureux and an acoustic guitar. From the moment it starts, you can tell that it's amazing. Kind of sad feel to it. The chorus of the song has a great humming chorus in the background that goes awesomely with that part of the song. "Bag of shit, jar of piss". That's how I'm feeling right now, buddy. After this part of the song is a bridge section with a solo. This song's a bit more repetitive than the other songs on this album... the last part is the chorus repeated.
8. O Me This was also on the "Farmer Automatic" E.P. from June... it's an acoustic song about getting back up on your feet and trying to find a way out of the darkness... the riff is amazing... the whole song is great. Pure emotion, just like about every other tune on this album. I probably said a lot more stuff about this song on my other review of it... but to put things simply, I like it a lot. It's good. And stuff. The part at the very end of the song with the guitar is awesome. The end!
Diehatzu Hijets will be playing at the Wunderbar on March 30! So get STRAPPED FOR CASH FOR YOUR LIVES or something similar like that. The album is pretty loud but melodic at almost every turn, and really emotional too. And it's nice how it closes off with two more mellow acoustic songs... really reminds me of weekends out here in the middle of nowhere. Anyways, it's real good, and there is only more Diehatzu Hijets stuff coming your way... the band seems to have endless ideas! Also, stay tuned for the split album n' stuff. That should be released soon as well. It amazes me how many songs Layne has written in such a short amount of time... anyways, you should check aut this album because it's really good... you can buy it for $5 on the diehatzuhijets.bandcamp.com site... it's good music for when you're feeling low... it just fucking bleeds... amazing guitar riffs and melodies at about every turn. That's all I've got to say for now. BYE BYE!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Top 3 Favorites: 1. Fizz Out 2. Bro 3. Falling Apart
Year: 2008 Genre: Hardcore Punk Label: Unknown Tracks: 17 Length: 32 Minutes My Rating: 6/8
Suicidal Tendencies formed in Venice, California in 1981. Their first album is one of the most famous hardcore records ever... before that, they were recording demos and being notable for connections with gang activity and violence at their shows. The original line-up of the band was Mike Muir, Mike Ball, Carlos Egert, and Mike Dunnigan. This line-up of the band recorded demos in 1982 to cassette tape... now about three years ago, these demos got released in bootleg form FOR ALL THE WORLD TO HEAR -- AHAHAHAHA, S.T., YOUR SECRETS ARE OUT NOW!!! BUAHAHAHA. Anyways, yeah, we (me) here at Legit Music Reviews do not endorse suicide and GO KILL YOURSELF whoops, I mean, "DON'T KILL YOURSELF"... PLEASE. JUST LOOK AT HOW MUCH IS GOING RIGHT FOR YOU RIGHT NOW... what's that? Nothing? Oh well, whatever, nevermind...
1. Suicide's an Alternative The grainy quality of the recording adds an extra CRUNCH to the sound of this song... kick-ass riff, AWESOME guitar solo, it's about being sick of the world and wanting to die because everything sucks so bad.
2. I Shot Reagan Slow intro, fast verse n' chorus... ever have one of those days when you just wanna shoot Ronald Reagan, Sadat, the Pope, and John Lennon? WELL NOW'S YOUR CHANCE, JUST LISTEN TO THIS SONG AND ALL OF THOSE PEOPLE WILL BE DEAD!!!!!! DEAD, I TELL YA!! This version's only about half as long as the album version.
3. Suicidal Failure A slow, depressing song. Excellent guitar playing, as can be heard. The song's about wanting to be dead and being sick of life, but too scared/lazy to kill yourself... actually, if you listen to the lyrics, Mike really DID try killin' himself all these times, but somehow he didn't die. HE IS IMMORTAL. Damn, this sore on my tongue really hurts. The ending part is essentially the same verses and choruses, but sped up to a more intense pace.
4. Memories of Tomorrow This song exemplifies the future-anxieties of all of us, and in this case kids back in the '80s who thought that Ronald Reagan was gonna kill everybody in the Cold War. Mike sees visions of what could happen in this situation and probably still could happen and decides he'd rather kill himself before the visions become reality.
5. I Saw Your Mommy (Version #1) This is a kind of long song... the guitar riff rules... the drumming is great too. It's about seeing a kid's mom's dead body washed-up and rotting on the street and thinking it's kind of funny. "I took a picture 'cause I thought it looked neat"... the song describes the condition of the dead mommy in great detail. The chorus sections are really fast. Great guitar solo towards the end... man, this band has really good guitar-playing. Hardcore should have more solos.
6. Fascist Pig This song's about the police state. Y'know, riot cops, tear gas, unkillable drones of the machines beating protestors to their deaths. I like the part about brains being "the fascists' favorite meal". Makes sense. Te-he!
7. Possessed The first section of this song has a more metal-type guitar riff... then the chorus riff kind of ascends out of that. The lyrics are about being possessed by a demon and being caused pain n' stuff. Once again, kick-ass guitar playing. HAVE I ALREADY LOST MY MIND? DO I STILL HAVE A SOUL?
8. I Saw Your Mommy (Mystic Records Version) This is the version of the song that was on the Mystic Records Sampler #1. The quality is great, and it sounds really good. Actually a studio recording.
9. You Are Forgiven (Version #1) An early song that didn't make it on the album. Starts off with a creepy/really good/depressing guitar solo. I think it's a nice intro for a song like this. The song is fast, the "YOU ARE FORGIVEN" chorus is really memorable and effective. The song is critical of the mentality of organized religion. The part at the end has a sad-sounding riff and it's slow.
10. War Inside Myself This is actually "Parents for Adoption", not what the title says. It has a real cool guitar riff and it's about Mike being pissed off at how much his lazy hypocritical parents suck, and begs the listener to "adopt" them so that he can be free. You can barely hear the vocals, they're kinda muffled. End of Side A.
11. Stupid Genocide This song is extremely similar-sounding to "Suicide's an Alternative"... the lyrics are different, though. The quality of this recording is ultra-grainy. Good song, still.
12. Kill (Version #1) This one also has pretty poor quality. I really like this song... there's a slower version on this one documentary film that sounds even cooler, however... the song's about how obsessed society is with murdering.
13. Pseudo Mom I can't even hear the lyrics for this one, they're totally muffled. The song is fast, pissed. He was probably pissed off at his mom or something.
14. Two-Sided Politics This is actually not "Two-Sided Politics", it's a completely different song. However, it does sound pretty damn awesome, whatever it's really called. The guitar riff rocks, there's a sweet solo, the rhythms and beats just rock!
15. You Are Forgiven (Version #2) This isn't actually You Are Forgiven, once again they got the song title wrong! It's fast. The chorus guitar riff is pretty cool. Frantic drumming! You can't even hear Mike's voice.
16. Burn the Constitution THIS is "You Are Forgiven". THIS IS IT, GOD DAMN IT!! The guitar intro is really beautiful... it's like depression and self-loathing embodied in a guitar melody. It's really good. After this, the song explodes into the thrashing verse and chorus parts. The chorus is reassuring and sarcastic all at once. BUT YOU'RE FORGIVEN. I like this version better. Mainly because I like the intro for this one better.
17. Kill (Version #2) This version sounds creepy as fuck. You can't hear any vocals. The guitar riff is bordering on scary, especially with how the quality sounds and stuff. The beat is kinda fast. As the final track, it's like that final moment looming right after a hypothetical suicide with the dead body bleeding out as it's already dead.
So, there's early Suicidal Tendencies for ya! I think this LP is interesting for the unreleased tracks -- the songs that didn't get put on their album, even though I find it annoying that most of the time the titles are wrong. But yeah, these are all real cool songs, and it rocks! The second half could practically be considered an instrumental side since you can't even hear Mike's voice. Maybe he was just off having sex with every species of animal in the Universe while they were recording those songs. Anyways, that's all I've got to say for now. Lemme know if I missed anything.
Top 3 Favorites: 1. Two-Sided Politics 2. Burn the Constitution 3. Suicide's an Alternative
EVEN OLDER VERSIONS OF "KILL" AND "PARENTS FOR ADOPTION"
Year: 1992 Genre: Hardcore Punk Label: Eye 95 Records Tracks: 7 Length: 7 Minutes My Rating: 6/8
Void was an amazing hardcore band from Maryland that existed from 1980 to 1983. The band's sound was, well, it was pretty fucking chaotic... their half of the Faith/Void split LP as evidence... and their live shows. Well, before Void made any records, the band recorded a demo tape in late '81, which caught the attention of Dischord Records. The Condensed Flesh 7" EP is basically that demo tape in the form of an E.P. So let's listen to the sounds of this band. NOW.
1. Organized Sports/Annoyed The first noticable thing about these songs is that the vocals are a jillion percent more intelligible. Jon Weiffenbach sounds less like the Tazmanian Devil's bastard offspring and more like a human. No weird-assed group vocals in the chorus either. Both versions rock. Then there's "Annoyed"... that song is really short and it's about BEING ANNOYED ABOUT YOUR MOM'S FOOD SHE COOKS AND SHIT!!! The beat is sloppy, Void-style!
2. Controller/Revolt HA HA HA HA HA HA... things are startin' to get a little wilder, I'm noticing... you can hear that Darby Crash/Bobby Pyn-like growl in place, incubated LIKE A LITTLE BABY WABY. Next song is "Revolt"... FIGHT FIGHT FIGHT!! Fast, intense, sloppy, got psycho lyrics!! YAEY FOR +VOID+
3. Condensed Flesh Another song that later appeared on the split album... the riff is in a different key, and I like it! This song is about Nazis taking burned flesh of their victims and putting it in cans... the chorus bubbles up like a bomb waiting to burst! End of Side A.
4. Black, Jewish, and Poor This song's about a guy who's about as fucked in the ass by society as you can get... there's a little more of the lead guitar/cool metal-esque stuff going on here. BUTTHOLE SURFERS!! "It could be worse, I could be gay"... a later version of the song appears on the "20 Years of Dischord" CD.
5. War Hero This song's about a crazyman who WANTS TO DIE IN A WAR!! Just like them crazy rednecks all over the U.S.A. Unlike his friends, this guy ain't no wussy afraid of bein' drafted, he wants to kill himself and burn his body to serve his country! YAEY YAEY FOR U.S.A. Later appears on split LP from '82.
6. Get Out of My Way This song's a little slower... I like how it starts off fast and then the tempo shifts to being slower... the kind of reasons I love this band. Awesome singing. The riff in the chorus part has a real grind and slice to it!
7. Go South The longest song. Not in the world, just on this record. Cool riff, nice fast, fucked drum beat! GO SOUTH GO SOUTH GO SOUTH -- total awesomeness!! TOTAL +VOID+?!? WHAT BERT AND ERT+ Y76P TIME IS UP SO GET THE FUCK OUT OF HEAR... HERE? The ending part is slow.
The E.P. doesn't quite reach the heights of insanity that the band would reach by the time they recorded the split album (see "Think", "Time to Die", "Change Places", "Explode")... several of the songs here were recreated for that record, but done even better that time. Still, even on its own it's unique compared to other hardcore acts. Just don't expect it to be as good as what came after it. Anyways, that's all I've got to say for now, so long...
Top 3 Favorites: 1. Black, Jewish, and Poor 2. Organized Sports 3. Get Out of My Way
Hello, boyz n' grrrlz. Tonight I'm going to be showing you some of my mediocre drawings for your viewing pleasure so you can laugh at how bad of an artist I am.
This one ended up on the cover of an early Blood Noize (then "White Noize") demo in greyscale:
I made this picture for the most awesome woman ever:
Color schemes added for better effect! Doesn't my sadguy look like he has a cunt for a mouth?
Made this one in Basic Design (best class ever) a few months ago:
A really big picture I made at the last minute in Drawing 1 because I had forgotten to pick an artwork to bring to the "defend it to the death" activity that was going to happen that day. I ended up being the only contestant to get a thumbs-up from the entire class.
All this and I've still never been laid:
More awesome shit from Basic Design I made in Dec. 2010 ("The Mangler/The Complex"):
TRYBLITH DEMO
